Tuesday, May 24, 2011

George Seurat, Stone Breakers at Le Raincy, 1882.
he felt the painter must capture 'thin air.'
how do you capture experience.
studied tapestry, color, optical mixture is the weaver


how light changes everything. august renoir: le moulin de la galette (1876)

Pierre-Auguste Renoir. Nude in the Sunlight. 1875-1876.

Rouen Cathedral

bouldevard of paris, monet 1873.
what do you see?
paint what you see, not what you know - impressionists

revolt against academic painting (composition)

Impressions: Sunrise, Claude Monet, 1872

eva says the words beautiful and emotional are useless. thas coo.

1 comment:

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