Tuesday, May 24, 2011



George Seurat, Stone Breakers at Le Raincy, 1882.
he felt the painter must capture 'thin air.'
how do you capture experience.
studied tapestry, color, optical mixture is the weaver
weaver

Post-Impression.

how light changes everything. august renoir: le moulin de la galette (1876)

Pierre-Auguste Renoir. Nude in the Sunlight. 1875-1876.


Rouen Cathedral




bouldevard of paris, monet 1873.
what do you see?
paint what you see, not what you know - impressionists

revolt against academic painting (composition)

Impressions: Sunrise, Claude Monet, 1872

eva says the words beautiful and emotional are useless. thas coo.




1 comment:

  1. The ones I pity are the ones who never stick out their neck for something they believe, never know the taste of moral struggle, and never have the thrill of victory. See the link below for more info.

    #pity
    www.ufgop.org

    ReplyDelete