Friday, July 29, 2011

Futurist manifesto Summary paper, (what the teacher seems to want)




Hey guys, Forgacs seemed to like this paper so i'm putting it up here. I think when i wrote this paper. I ended up formulating many of my own opinions instead of 100% summarizing and expressing my opinions with specific support from the text. Be as specific as possible and u should be good.

Thoughts on “The Foundation and Manifesto of Futurism”

“The Foundation and Manifesto of Futurism” written by Filippo Marinetti highlights the key ideas behind the Futurist movement in which Marinetti himself is the initiator. Marinetti starts his manifesto by describing old versus new, personifying various places and machines.  He describes the old palaces as “sickly” while saying that myth and old ways of thinking are gone, “defeated at last”. Marinetti’s words are very forceful as he vividly personifies the engines in ships and locomotives. He portrays these engines as demonic. However his description sounds, he isn’t demonizing the technology, rather he is standing in awe of industrial might. Marinetti’s automobile is his steed that he fearlessly rides happily tempting death, but as he drove around a corner he had swerve to avoid two cyclists causing his car to flip over into a muddy ditch. Marinetti rose from the accident exhilarated by the near death experience.
            He attributes his Futurist manifesto to this near death experience ushering in a movement that was inspired by the industrial energy and speed of the automobile. Marinetti, in his manifesto, encourages dangerous thrill-seeking and great struggle to achieve beauty saying that without struggle there is no beauty. Marinetti condemned all academies and museums that studied old works comparing them to cemeteries that aren’t worth focusing on, also condemning old moralities in favor of logic as well as feminism. The Futurist Manifesto was very much anarchistic.
            Marinetti highlights a very interesting point about human nature which is the need for struggle. In literature, all stories require struggle, some kind of conflict for it to be interesting, whether the struggle is internal or external. Revolutions bring about change but are often violent. In that respect he is right, however this view is on the extremist side. He doesn’t simply state violence as a necessary evil. In this manifesto, it seems as if he views it as purely the greater good. His view of the greater good is too simplistic because ignoring history or the atrocity of war isn’t futuristic. Without the past we have no foundation to build upon for the future and without understanding the sacrifice made by previous revolutionaries people now wouldn’t appreciate what they have. Without the steam engine, Marinetti would not have the combustion engine that is the heart of his beloved automobile.
What separates the futurist movement from the previous art movement is the focus on the external understanding. Marinetti constantly elaborates upon experience, finding the next speedy thrill. Cubism on the other hand was an internalized dissection on how an artist views its subject. More importance was placed on the perspective of the artist rather than the subject itself. Historically, mankind has constantly jumped from one extreme to another. As each extreme becomes an established norm, that extreme then becomes a conservative view, waiting for the next extreme idea to be unveiled. With that in mind, people viewing his work should try to take it with a grain of salt understanding the benefit of struggle and revolution, understanding the external without forgetting the internal.

Dada notes

Hey guys, these notes are mainly derived from WIKI. I searched other sites to supplement more than what wiki had to offer but there wasn't much else. I tried to condense Dada into its core essential ideas and people.

DADA Notes

Founders of Cabaret Voltaire in Zurich:
Hugo Ball, Emmi Hennings, Tristan Tzara
Marcel Ianco, Hans Arp, Sophie Tauber Arp
Hugo Ball created the Dada Manifesto was one of the principle founders of the movement. A very Dadaist poem he that Ball wrote was his poem “Karawane” consisting of nonsensical German words. Hugo Ball’s meaning however, came from its meaninglessness. This being the chief principle of the Dada movement that the ideologies of the day were terrible and invited war, death, and destruction. He was fascinated by anarchist philosophy.

The Cabaret Voltaire was a nightclub in Zurich Switzerland that became the birthplace of the anarchistic Dada art movement. Because Switzerland was a neutral country during WWI many artists sought refuge there. The cabaret allowed artists from all over to express themselves in regards to the current events. Performances of spoken word, dance and music were held.
The performances often were chaotic with brutality as a major theme. Other major themes included “meaninglessness of the modern world”, anti-art and anti-war, rejection of the current standards of art, anti-bourgeois and anarchistic.

Dada is the groundwork to abstract art and sound poetry, a starting point for performance art, a prelude to postmodernism, an influence on pop art, a celebration of antiart to be later embraced for anarcho-political uses in the 1960s and the movement that lay the foundation for Surrealism.
—Marc Lowenthal, translator's introduction to Francis Picabia's I Am a Beautiful Monster: Poetry, Prose, And Provocation
Dada were anti-Colonialist believing that Colonialism, bourgeois capitalism was the root cause of war. Colonialism is the expansion of a countries territory essentially establishing rule over foreign territory often taking it by force. The new rulers claim sovereignty and wealth streams out of the colonized foreign land into the economy of the sovereign territory. For example, the East India Company drove the expansion of the British Empire in Asia creating much profit from the opium export trade 
Raul Hausmann
The Mechanical Head (excerpt from the Wiki entry)
The most famous work by Hausmann, Der Geist Unserer Zeit - Mechanischer Kopf (Mechanical Head [The Spirit of Our Age]), c. 1920, is the only surviving assemblage that Hausmann produced around 1919-20. Constructed from a Hairdresser's wig-making dummy, the piece has various measuring devices attached including a ruler, pocket watch mechanism, typewriter, camera segments and a crocodile wallet.
"Der Geist Unserer Zeit - Mechanischer Kopf specifically evokes the philosopher George Wilhelm Friedrich Hegel (1770-1831). For Hegel...everything is mind. Among Hegel's disciples and critics was Karl Marx. Hausmann's sculpture might be seen as an aggressively Marxist reversal of Hegel: this is a head whose "thoughts" are materially determined by objects literally fixed to it. However, there are deeper targets in western culture that give this modern masterpiece its force. Hausmann turns inside out the notion of the head as seat of reason, an assumption that lies behind the European fascination with the portrait. He reveals a head that is penetrated and governed by brute external forces." Jonathan Jones.


Tuesday, July 26, 2011


hannes meye


gropious: bauhaus - dessau


peter keler - cradle




marianna brandt: coffee pot design, bauhas

preliminary course — a foundation course
johannes itten — in the weimar bauhaus




Walter Gropius (1883-1979) fagus shoe factory.

Glass is magic. you are inside, but you see nature.

WWI 1914


















Tuesday, July 19, 2011

blue

blue rider first thing we coveered afte rmidterm

hw :

REVEIW

read ch 1916 a
1916 b
from book
DADA COLLAGE Choose PRESENT DAY TOPIC

Tuesday, July 12, 2011

7.12

hw: Read futurist manifesto, write summary
Read ch 1909
dog on a leash


luigi

giacomo balla



Carlo Carra : Funeral of the Anarchist Galli


giacomo balla (1871- 1958): the street lamp



futurism




last weeks hw: Cubist painter summers
debate bw anti- & procubist painters

Cubism
picasso (1881-1973): Portrait of Kahnwieler

—picasso's focus is on geomtric forms
—string theory



Tuesday, June 28, 2011

hw

Read Concerning the Spiritual in Art

Write a serious opinion about it.
SERIOUS!!!

German Expressionism

alex jawlenski - girl in the grey apron


Vassily Kandinsky: Murnau Village Street

The New Association of Artists

"The spiritual"

Color is dematerialized essence of the painting
Work represents a sensation


and then kradinsky started to go really bold...
the mountain

a painting he said, doesntneed to be anything
more than a composition of forms and color

The Blue Rider
Kandinsky says each art ranks the same

Franz Marc painted animals (horses)
because, he says, humans are vicious
horses was repeatedly blue
because blue was a dematerialized color