Wednesday, January 18, 2012


The Pre-human in the Human Summary

            "The Pre-Human in the Human" is a piece written by Charles Darwin that reflects on the conclusions to his findings on human ancestry to bolster his argument against the inevitable backlash towards his research. This sample from "The Descent of man" points out that humans are similar to animals and in his stance defends that idea as something not to be ashamed of. He begins by laying out the basic idea of his findings tracing back the human evolutionary lineage all the way back to early marine vertebrates "man is descended from some lowly organized form". Darwin recalls his first encounter with the Fuegians elaborating on their savagery and barbaric nature. Throughout history civilizations have tried to distance themselves from barbarians. Barbarian being a Greek term for uncivilized. The reality that Darwin tries to connect is the fact that,  not only are we related to barbarian tribes, who are human, but we are also related to non human species as well. Darwin describes a "heroic monkey" who saved his keeper, a baboon who saved his comrade pointing out amazingly human qualities in animals. He found those animals more relatable than humans who commit atrocities daily. Some of the atrocities he mentions directly single out the church, drawing a comparison to the aforementioned Fuegian savages. Darwin puts into perspective the whole of human development "having thus risen, instead of having been aboriginally placed there" as a hopeful look to future development of humankind. He ends on a more humble note pointing out that despite mans "noble qualities" and profound intelligence, that we are still human and bear the mark of our ancestry.

Saturday, July 30, 2011

Modernism




Just in case anybody needs it.

Class Notes (Wk 11)

Germany reunited in 1871, due to merging and centralizing of industry
Bauhaus: bau meaning building, haus being house. meaning house building. OH REARRY?
consistently organized
Dessau
Berlin
bauhutte - building hut. lol.
germany became a republic
Walter Groplus 1883-1979
wanted the Bauhaus wanted modernist design, even though the town was conservative
Johannes Itten 1886-1967
left Bauhaus in 1992
Marianne Brandt 1893-1983
Coffee Pot Design
Weimar
Haus an Horn
Hannes Meyer
Ludwig Mies der Rohe
"Inside the Bauhaus"

Errr... very incomplete notes. But maybe if we combine the powers of all our notes we will get an ultimate collection of notes. Or something. .-.

Class Notes (Wk 10)

DADA
Switzerland was a popular retreat during WWI,
because it was a neutral country
German, Italian, French speaking

Cabaret Voltaire in Zurich:
Founders:
Hugo Ball, Emmi Hennings, Tristan Tzara
Marcel Ianco, Hans (jean) Arp, Sophie
Tauber Arp

(artists below are mostly collage artists)
Raoul Hausmann, 1886-1971
Men Are Angels and They Live In Heaven, 1919
The Art Critic, 1919
the art critic. powerful, makes or breaks careers
as indicated by the large pencil he holds
unnatural, like a zombie, sick
ABCD Self Portrait, 1922/23
Tatlin at Home, 1920
Hannah Hoch, 1889-1978
Cut with a Kitchen Knife
Pretty Girls, 1919
Dada Dolls, (mixed materials) 1920
The Tire Travels around the World, 1920
Kurl Schqitters 1887-1949
Merz Picture, 1920s

what is "Theosophy?"

Class Notes (Wk 9)

Brain/String Theory
Look at "the Dimensions Explained" on Youtube


Pablo Picasso (1881-1973)
cubism
Portrait of Ambroise Vollard, 1910
Portrait of Kahnwieler

Italian Futurists
Giacomo Balla 1871-1958
Street Lamp, 1908

Class Notes (Wk 7)

First Chapter of "Mrs. Dalloway"
no longer addressed as Clarissa, rather as Mrs. Dalloway
Mrs. Dalloway,
favoring reliability and fitting within the current social bracket,
meeting social standards and expectations, in contrast to
Peter Walsh, ex-lover, enigmatic and adventurous, out of the box, "poetic"
Mrs. Dalloway questions her current place in life ie. her husband choice
why did Woolf choose a upper class woman as her protagonist?
wanting to focus on psychological issues of someone of that status, without worries, but with many options

The New Associaiton of Artists
"The Spiritual" - higher concept, superseding materiality of life, dematerialization
high and strong colors
color blue was representation of dematerialization, of sky which was not material
Alexej von Jawlensky, (1864-1941)
Girl in Grey Apron, 1909
Helen in Dark Blue Turban
Autumn Landscape with Boats, 1908
Vassily Kadinsky (1866-1944)
Murnau. A Village Street, 1908
Murnau. The Garden, 1908
Mountain, 1908
Composition II, 1909-10
Improvisation No. 11, 1911
The Blue Rider + Variations
Framz Marc (1990-1916)
Blue Horses, 1911

Class Notes (Wk 6)

"Degenerate Art"

Hilter called modern artists degenerates, and vowed to eliminate them.
claustrophobic effect
graffiti over, behind around, criticizing the art
Adolf Hitler was rejected and not recognized as an artist
wanted to represent the world "as it really is"
modern art painted what was underneath what we see in the world
expressionists wanted to go beyond impressionism
inner world, psychological landscapes

Friday, July 29, 2011

Futurist manifesto Summary paper, (what the teacher seems to want)




Hey guys, Forgacs seemed to like this paper so i'm putting it up here. I think when i wrote this paper. I ended up formulating many of my own opinions instead of 100% summarizing and expressing my opinions with specific support from the text. Be as specific as possible and u should be good.

Thoughts on “The Foundation and Manifesto of Futurism”

“The Foundation and Manifesto of Futurism” written by Filippo Marinetti highlights the key ideas behind the Futurist movement in which Marinetti himself is the initiator. Marinetti starts his manifesto by describing old versus new, personifying various places and machines.  He describes the old palaces as “sickly” while saying that myth and old ways of thinking are gone, “defeated at last”. Marinetti’s words are very forceful as he vividly personifies the engines in ships and locomotives. He portrays these engines as demonic. However his description sounds, he isn’t demonizing the technology, rather he is standing in awe of industrial might. Marinetti’s automobile is his steed that he fearlessly rides happily tempting death, but as he drove around a corner he had swerve to avoid two cyclists causing his car to flip over into a muddy ditch. Marinetti rose from the accident exhilarated by the near death experience.
            He attributes his Futurist manifesto to this near death experience ushering in a movement that was inspired by the industrial energy and speed of the automobile. Marinetti, in his manifesto, encourages dangerous thrill-seeking and great struggle to achieve beauty saying that without struggle there is no beauty. Marinetti condemned all academies and museums that studied old works comparing them to cemeteries that aren’t worth focusing on, also condemning old moralities in favor of logic as well as feminism. The Futurist Manifesto was very much anarchistic.
            Marinetti highlights a very interesting point about human nature which is the need for struggle. In literature, all stories require struggle, some kind of conflict for it to be interesting, whether the struggle is internal or external. Revolutions bring about change but are often violent. In that respect he is right, however this view is on the extremist side. He doesn’t simply state violence as a necessary evil. In this manifesto, it seems as if he views it as purely the greater good. His view of the greater good is too simplistic because ignoring history or the atrocity of war isn’t futuristic. Without the past we have no foundation to build upon for the future and without understanding the sacrifice made by previous revolutionaries people now wouldn’t appreciate what they have. Without the steam engine, Marinetti would not have the combustion engine that is the heart of his beloved automobile.
What separates the futurist movement from the previous art movement is the focus on the external understanding. Marinetti constantly elaborates upon experience, finding the next speedy thrill. Cubism on the other hand was an internalized dissection on how an artist views its subject. More importance was placed on the perspective of the artist rather than the subject itself. Historically, mankind has constantly jumped from one extreme to another. As each extreme becomes an established norm, that extreme then becomes a conservative view, waiting for the next extreme idea to be unveiled. With that in mind, people viewing his work should try to take it with a grain of salt understanding the benefit of struggle and revolution, understanding the external without forgetting the internal.

Dada notes

Hey guys, these notes are mainly derived from WIKI. I searched other sites to supplement more than what wiki had to offer but there wasn't much else. I tried to condense Dada into its core essential ideas and people.

DADA Notes

Founders of Cabaret Voltaire in Zurich:
Hugo Ball, Emmi Hennings, Tristan Tzara
Marcel Ianco, Hans Arp, Sophie Tauber Arp
Hugo Ball created the Dada Manifesto was one of the principle founders of the movement. A very Dadaist poem he that Ball wrote was his poem “Karawane” consisting of nonsensical German words. Hugo Ball’s meaning however, came from its meaninglessness. This being the chief principle of the Dada movement that the ideologies of the day were terrible and invited war, death, and destruction. He was fascinated by anarchist philosophy.

The Cabaret Voltaire was a nightclub in Zurich Switzerland that became the birthplace of the anarchistic Dada art movement. Because Switzerland was a neutral country during WWI many artists sought refuge there. The cabaret allowed artists from all over to express themselves in regards to the current events. Performances of spoken word, dance and music were held.
The performances often were chaotic with brutality as a major theme. Other major themes included “meaninglessness of the modern world”, anti-art and anti-war, rejection of the current standards of art, anti-bourgeois and anarchistic.

Dada is the groundwork to abstract art and sound poetry, a starting point for performance art, a prelude to postmodernism, an influence on pop art, a celebration of antiart to be later embraced for anarcho-political uses in the 1960s and the movement that lay the foundation for Surrealism.
—Marc Lowenthal, translator's introduction to Francis Picabia's I Am a Beautiful Monster: Poetry, Prose, And Provocation
Dada were anti-Colonialist believing that Colonialism, bourgeois capitalism was the root cause of war. Colonialism is the expansion of a countries territory essentially establishing rule over foreign territory often taking it by force. The new rulers claim sovereignty and wealth streams out of the colonized foreign land into the economy of the sovereign territory. For example, the East India Company drove the expansion of the British Empire in Asia creating much profit from the opium export trade 
Raul Hausmann
The Mechanical Head (excerpt from the Wiki entry)
The most famous work by Hausmann, Der Geist Unserer Zeit - Mechanischer Kopf (Mechanical Head [The Spirit of Our Age]), c. 1920, is the only surviving assemblage that Hausmann produced around 1919-20. Constructed from a Hairdresser's wig-making dummy, the piece has various measuring devices attached including a ruler, pocket watch mechanism, typewriter, camera segments and a crocodile wallet.
"Der Geist Unserer Zeit - Mechanischer Kopf specifically evokes the philosopher George Wilhelm Friedrich Hegel (1770-1831). For Hegel...everything is mind. Among Hegel's disciples and critics was Karl Marx. Hausmann's sculpture might be seen as an aggressively Marxist reversal of Hegel: this is a head whose "thoughts" are materially determined by objects literally fixed to it. However, there are deeper targets in western culture that give this modern masterpiece its force. Hausmann turns inside out the notion of the head as seat of reason, an assumption that lies behind the European fascination with the portrait. He reveals a head that is penetrated and governed by brute external forces." Jonathan Jones.


Tuesday, July 26, 2011


hannes meye


gropious: bauhaus - dessau


peter keler - cradle




marianna brandt: coffee pot design, bauhas

preliminary course — a foundation course
johannes itten — in the weimar bauhaus




Walter Gropius (1883-1979) fagus shoe factory.

Glass is magic. you are inside, but you see nature.

WWI 1914


















Tuesday, July 19, 2011

blue

blue rider first thing we coveered afte rmidterm

hw :

REVEIW

read ch 1916 a
1916 b
from book
DADA COLLAGE Choose PRESENT DAY TOPIC

Tuesday, July 12, 2011

7.12

hw: Read futurist manifesto, write summary
Read ch 1909
dog on a leash


luigi

giacomo balla



Carlo Carra : Funeral of the Anarchist Galli


giacomo balla (1871- 1958): the street lamp



futurism




last weeks hw: Cubist painter summers
debate bw anti- & procubist painters

Cubism
picasso (1881-1973): Portrait of Kahnwieler

—picasso's focus is on geomtric forms
—string theory



Tuesday, June 28, 2011

hw

Read Concerning the Spiritual in Art

Write a serious opinion about it.
SERIOUS!!!

German Expressionism

alex jawlenski - girl in the grey apron


Vassily Kandinsky: Murnau Village Street

The New Association of Artists

"The spiritual"

Color is dematerialized essence of the painting
Work represents a sensation


and then kradinsky started to go really bold...
the mountain

a painting he said, doesntneed to be anything
more than a composition of forms and color

The Blue Rider
Kandinsky says each art ranks the same

Franz Marc painted animals (horses)
because, he says, humans are vicious
horses was repeatedly blue
because blue was a dematerialized color







hw 6/28

hw: read Mrs. Dalloway (imagine yourself being the therapist and write a list of those issues that Wolf has, identify problems in the life of this woman)

Monday, June 27, 2011

Anybody have any idea what the hw is?

Hey guys
i know its not whats on the syllabus anymore because we have strayed very far from what that syllabus lists.
if anybody knows that would be greatly appreciated.

thanks
alex

Tuesday, June 21, 2011

Degenerate Art

Nazi sponsored Degenerate art shows to display the works of madmen, people that would destroy society. Hitler used that artwork as a sort of freakshow display.

Adolf hitler believed that true art would only try and imitate the natural world. More realistic.
Modernism would paint what is underneath


Kirchner was the leader of the first Expressionist art going beyond impressionism using vibrant color.

WWI was the turning point for Hitler and the Expressionists. The shock of trench warfare. Kirchner suffers from a nervous collapse
Nolde joins the Nazi parti, he was an expressionist painter
Hitler began using the term Degenerate to lable the inferior.
As Hitler came to power he began burning books waging a war against the modern imagination

Abstraction was banned and labeled degenerate and all forms of modern music were ridiculed.

Hitler had an admiration for classicism, Greek works trying to use propaganda make the populace believe in a second Renaissance

Nolde began getting backlash for his work and the Nazis wanted to eradicate him.

the war on modern imagination has begun

degenerate art

the Führer
degenerate art (exhibition) was to be the funeral of modern art
Adolf Hitler liked academic art
By pictures we reproach god for his errors

hw: read Mrs. Dalloway (imagine yourself being the therapist and write a list of those issues that Wolf has, identify problems in the life of this woman)

Class Notes (Wk 1)

Week 1 Class Notes

What is modernism, when/how did it originate?
Key players in modernism:
the free individual - in that individuals exist as a historical construct
rationalism - separation from the Church, using reason to think,
or reason as a source of knowledge/justification
modernism began as rationalism came into play
- politically, all individuals are equally capable
coming of the Renaissance -
Johannes Gutenberg and printing in 1476
individuals began to read for themselves,
whereas within the church,
said individuals were read to together as a crowd
portraitures
depicting of few or single individuals in much closer
view than previously done before, contrasting paintings
of larger scenes with larger crowds
French Revolution following Age of Enlightenment/Age of Reason
saw the overthrowing of the French monarchy, becoming
the winning battle for rationalism
romanticism - directly in opposition of rationalism, romanticism saw the praise of certain
individuals, geniuses, artists, talents…
- bizarre, complicated psychology in which these "talents" were constantly suffering, i.e. "so much more, yet suffer so much because of separation from others, but separation from others because of being a proud individual…"
- things such as falling in love and having love accepted as pedestrian
- strong emotion as aesthetic experience

Class Notes (Wk 2)

Week 2 Homework Notes
"They Eyes of the Poor" by Charles Baudelaire
- emotionally superior/sensitive, self-serving observation of the poor
- disconnect with lover; him being so compassionate
- unapologetic towards lover, being in a way superior because of his compassion
- speaker in first person, directly placing oneself into the excerpt
"The Pre-Human in the Human" by Charles Darwin
- excerpt came after his publication of his "On the Origin of Species"
- certain traits of animals being more "heroic" than even the Fuegians who were human

Week 2 Class Notes

impressionism following romanticism:
romanticism was followed by a backlash succeeded with a a newer generation of artists
characteristics of impressionism -
no objective point of view, what I see is when I see it,
meaning no depiction/representation,
this is the likeness of it, this is the impression of
with views romanticism being amateur,
thus wanting to return to painting what they see
lacking emotional level of romanticism
(but not to say impressionists were stiff and emotionless)
simple purposes of impressionism -
simple taking in of reality, capturing a moment
the stressing the importance of a point of view
impressionist artists were extremely fascinated with light and passage of time
composition was in a sense lacking in composition, or wasn't planned
Claude Monet (1840-1926):
Impression: Fog, 1872
title format/indication of title is new
similar to titling Painting: Queen Elizabeth (like, no way?!)
Boulevard des Capucines, 1873
lack of tones,
over-saturation of light
impression of crowds indicated simply by brushstrokes
Rouen Cathedral 1892-94
Auguste Renior (1841-1919):
Nude in Sunlight, 1876
more attention to dabbles/spots of light peering through
the leaves than the nude figure herself
Le Moulin de la Galette, 1876
Georges Seurat (1859-1891)
The Bridge at Courbevoie, 1886-87
Sunday Afternoon on the Island of La GrandeJatte, 1884-86
Berthe Moriscot (1841-1895)
female impressionist painter
Dining Room, 1875
optical mixing occurs when the eyes are able to mix colors together
when the painter applies paint to canvas without mixing colors due to
the theory complimentary colors

in-class exercise
write an article in the 1870's...
group 1 - against impressionism
group 2 - defending impressionism
- no objective view of any one scene
- purpose of capturing a moment, and as time is always passing,
our paintings should be a representation of it, being quick and light
- purpose is not to depict beauty and emotion as much as reality
- not commissioned by a patron to paint a subject in the most flattering way
- anti-impressionists being the older generation play conservative,
while impressionists, represent change
- art itself is subjective, who are anti-impressionists to say impressionists can't paint?
impressionists themselves don't try and play the role of elitist